Showing posts with label Post-Metal. Show all posts
Showing posts with label Post-Metal. Show all posts

Tuesday, February 28, 2017

Aeonic Impulse - A Night For The Troubled (2016)




Ever since people started to get into Rush, Tool, and Opeth, I've notice a lot of people forming a lot of Prog bands, and then bashing other bands for not being "Prog" or "being diverse".  If done right, Prog can totally be a musical journey where you can set your mind free.  But most Prog bands I hear try to be Rush or Opeth.  Or they throw a barrage of self-wankery.  With A Night For The Troubled by Aeonic Impulse, I do not get any of that.  You do hear a band with many influences trying to bring that all together, and make it as one.
On the first track, "View of the Sunset", you hear some Tool influence in the sound.  Seeing that we already have Socionic doing the whole Tool thing, wasn't sure if Aeonic Impulse was another Prog band doing the Tool thing.  But by "Part II: Regretful Insomnia", you start hearing some post-hardcore in the sound, which by then I started to get hook.  Of course my favorite will be the last track "Part VI: View of the Sunrise"  Mainly because you hear some Post-Rock/Post-Metal in that song.  The build-up was well done and executed.  And hearing Charlie Chaplin's speech from The Great Dictator was a nice touch as things were building up.
As the album goes from track-to-track, things start to change up without sounding like another band.  That's the one thing I can get behind Aeonic Impulse and still get into the album without losing interest.  Nothing feels force, which I also like because it makes the music flow nicely.  A Night For The Troubled is definitely a album that not only Prog fans can get into, but also fans of experimental music, and maybe your casual listeners.  You can totally rock out to this album and also let the sound just sink in.



A Night For The Troubled gets "5 Hitlers Punched In The Face" Approval.




You can purchase the CD on their Bandcamp page:





Friday, October 16, 2015

Behold! The Monolith - "Architect of the Void" (2015)




If there's one thing I like from a heavy metal album, it's a great story.  Not only are you listening to the story, but you are also in it.  When giving "Architect of the Void" a spin, that's the kind of feeling I get.  You can see it.  You can feel it.  And you can smell it.  So kick back, put on the headphones, and take a journey into "Architect of the Void".
When the first track, "Umbral Vale", comes on, I think of a young man, ready to become a warrior.  But in order to do that, he must leave his village and prove that he has what it takes.  Before he takes off, he says his farewells to his mother, his siblings, neighbors and friends.  And finally, his old man.  The one who he wants to make the most proud.  He gets his stuff and the guards open the gate for him, and he's off on his own now.  The drum beat in the beginning of  "Philosopher's Blade", I imagine him walking through the forest and mountains.  Stops to get some rest and then continues with his destiny.  One day, the young man walks by a village.  He sees a farmer and his family being harassed by a evil clan.  He rushes over there and takes them out, except for one.  Who runs back to the other clan.  On "Lord of Bones", I like to think that's where we meet the Warlord of this evil clan.  He hears what that kid from a small community, did to some of his men.  So now he wants to get some payback.  His men are putting armor on the Warlord.  The blacksmith is welding his new sword.  Making it strong and sharp, so the Warlord will be able to impale his new enemy and make him suffer.  "Between Oder and the Vistula" is where we have our big fight scene. At first the Warlord has his clan go after the young warrior.  The brave kid takes them out, one by one.  Until there was none left.  Just him and the Warlord.  Standing in a field, with the corpse of the Warlord's clan.  The Warlord gives the young lad a good beating.  Showing why he's the boss.  Not going down that easy, the our hero picks up his sword, and just goes berserk on the Warlord.  The Warlord has underestimated the young warriors' strength, and can no longer stand his ground.  Our hero was able to get the Warlord on his knees, and with one swing from his sword, he decapitates the Warlord and ends his reign of terror.  Finally, when the title track comes up, I can imagine a guard, keeping watch, early in the morning.  He gets up and pours himself a bowl of soup.  When he gets back to his post, he sees something coming towards the gate.  We see his bowl drop to the ground as he runs to the other guards and tells them to open the gate.  When they open the gate, we see the young hero return home.  Carrying the severed head of the Warlord, he has now proven that he's a warrior.  The whole village are rejoiced and give him a great homecoming.  He is greeted by his mother and siblings.  He sees his dad from across, so he walks towards him.  They stare at each other for a second, til his father gives him a big hug.  Of course he is now proud that his little boy is now a great warrior.  And now the warrior can relax and enjoy being around his loved ones, til he goes on to his next adventure.
Now to just let you know, that's not what the album is about.  But when hearing the instruments, that's what I'm seeing in my head.  I'm pretty sure that the guys in B!TM wrote up something more epic than what I just typed up above.  "Void of the Architect" is definitely their best and most epic album.  Both Jordan Nalley and Jason Casanova did a great job making this album heavy and intense.  As many reviewers have already mentioned, for Matt Price and Chase Manhattan to keep Behold! The Monolith going, after the death of vocalist/bassist Kevin McDade, is really encouraging.  In some ways, I like to think that "Void of the Architect" is the bands "Back To Black".  It's really great that B!TM was able to put out a kick arse record, that I know McDade will be very proud of.  Behold! The Monolith are a great addition to the heavy metal scene.  Their mix of Stoner/Doom with Sludge and Post-Metal is something that sets B!TM apart from other LA bands.  And of course Price's guitar playing is just awesome.  Just listen to "Philosopher's Blade" and "Lord of Bones".  If you're a fan of  High On Fire and their intensity, then you're really gonna be a fan of Behold! The Monolith.  This is a band to listen if you want some hard pounding heavy metal  Glad to see Behold! The Monolith still riding strong.  RIP, Kevin McDade.  Hope all is great in the afterlife.

You can purchase "Architect of the Void" at https://beholdthemonolith.bandcamp.com/album/architects-of-the-void


"Architect of the Void" gets a rating of "5 Hitlers Punched in the Face".



Friday, September 11, 2015

Code 415 Podcast: 9-11-15





On today's episode, we remember the people we've lost during the 9/11 attack.  We think about our loved ones and how we should never take them for granted.  And to never forget.  United we stand.  Divided we fall.

Playlist:

Attack At Dawn - "June 29th, The Day You Almost Died" (demo)

King Woman - "King of Swords" (Doubt)

Hellbeard - "Colloused" (Scarecrow)

Neko Case - "Red Tide" (Middle Cyclone)

Dorthia Cottrell - "Moth" (Dorthia Cottrell)

Tom Waits - "Road To Peace" (Orphans: Brawlers, Bawlers, and Bastards)




Monday, September 29, 2014

Hellbeard - "DARK/LIGHT E.P." (2014)



Hellbeard are back.  And what a fuck'n e.p. they put out.  Ever since I heard "Black Snail" on youtube, I've been waiting on some new Hellbeard.  Their first album, "Scarecrow" was a solid album.  And with Dark/Light, they take their sound to a whole other level.

Dark/Light features 3 track, which are the best and heaviest songs that Hellbeard have played.  Once the first track, "Maiden of Mercy", starts to play, you knew that this is going to be a totally different Hellbeard.  The one thing that I like about this song is during the middle, they play a really nice doom riff, which then goes to something more ambient.  "Light" is probably my favorite.  When I hear this song, there's a "Time & Grace" feel to it.  And of course I loved those tribal-esque drum beats during the end of the track.  And then we have "River's End" to finish up.  Has a nice 90's hardcore metal riff and then a sweet guitar solo.

The production was well done.  The vocals have gotten very intense from the last album.  Great guitar work and of course the rhythm section sound great.  I would have loved to hear a studio version of "Black Snail",  But after hearing the new e.p., I really don't know how it will fit.  For sure this is a whole new Hellbeard.  And this new Hellbeard makes me want to punch Hitler even harder.  A awesome e.p. if you enjoy post-metal, sludge, and doom.


To purchase Dark/Light, go to https://hellbeard.bandcamp.com/album/dark-light

Wednesday, December 4, 2013

Palms - "Palms" 2013




A couple of years ago, I was super excited when I heard the news that Deftones singer, Chino Moreno was forming a band with three members of ISIS.  Of course I was interested in how they will sound.  Would it sound like ISIS with Chino on vocals?  Or would it be a complete different band?

Well, I will say this; Palms sound like a nice cross between Alternative Metal and Post-Rock.  I can hear a bit of Deftones and ISIS.  But it does have a tropical/dream-like feel.  It really does feel like another band.  But of course Chino's vocals are very recognizable.  Hopefully when you're listening to it, you can get past that.  And I have to mention that it's nice hearing Clifford Meyer doing more guitar.

"Future Warrior" starts off great.  With "Patagonia", I just wanted to close my eyes and pretend I'm flying above the clouds.  And from there on, it's just enjoyable.  I don't think this is going to break any new ground.  But I'm pretty sure Chino has done it with the Deftones.  And Aaron Harris , Cliff Meyer, and Jeff Caxide have did get that whole Post-Metal thing rocking and rolling.  So if you enjoy the work of the Deftones and ISIS, I might recommend this.  This was a good record by very creative people.


Sunday, November 4, 2012

Code 415 Podcast Episode 3 (Femme Fatales)

To make up for last month's Breast Cancer Awareness Month, I've put out a play list only consisting of All-Girl bands and Female Fronted bands.

destitute- "I Don't Wanna Play With You Anymore" (Left For Dead ep)

Deerhoof- "The Tears and Music of Love" (Offend Maggie!)
Purchase "Offend Maggie" Here

Bikini Kill- "Rebel Girl" (Pussy Whipped)

Made Out of Babies- "Cooker" (The Ruiner)
Purchase "The Ruiner" Here

Civet- "Alibis" (Hell Hath No Fury)
Purchase "Hell Hath No Fury" Here

The Creepshow- "The Garden" (Sell Your Soul)







destitute fb

Deerhoof fb

Civet fb

The Creepshow fb

Tuesday, October 16, 2012

HELLBEARD "SCARECROW" (2010)



For a couple of years, I've been a huge fan of Oakland's Hellbeard. Their take on the sludge/post-metal sound almost has a very 80's Bay Area sound. In 2010, they released their debut album, Scarecrow, which I've been playing on rotation in my car for many years. The album starts off with "Locomotive" which is a awesome opener. Very Neurosis-esqe with a lot of steam. By the end of the song, you wish the song continues because that drum part was great. The title track is a also favorite of mine's. But the one that I enjoy the most is "Colloused", which also has a great ending that you don't want it to stop. As a matter of fact, I always press the repeat button. Usually while listening to a full album, I like to keep the flow going. But can't help myself but to hear that song one more time. So in conclusion, Hellbeard's "Scarecrow" gets "5 Hitlers Punched in the Face". Believe me, after listening to this album, you just want to punch 5 Hitlers in the damn face. -Mikey O)))-



  www.facebook.com/hellbeardband
  http://www.cdbaby.com/cd/hellbeard